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It may not seem that films have changed as much in the past three decades, but in many ways, the film's landscape is radically different. Mega-Franchises like Marvel and Star wars have largely replaced the big players as the main box office draw, while the transition to streaming and the omnipresence of cheap flat-screen televisions can spell the end of cinemas as we used to know them. But as the activities of the films have changed, the public has also changed, and changing cultural standards mean that films that were current successes 30 years ago seem desperately disconnected today, if not downright offensive. Read the rest for six classic (and not so classic) films from the 90s that could never be made today.

Read this then: 7 classic movies that you can't watch anywhere .

American pie was one of the greatest comedy successes for adolescents of the 90s, and at the time, it looked like a more progressive sexual comedy brand than the price of the 80s like the 80s like Revenge of the Nerds . But the saga of four senior school boys who make a pact to lose their virginity before obtaining the diploma still seems much retrograde today. Although the film has a symbolic effort to add depth to the female characters that boys are trying to go to bed in bed, they still largely exist like prices to be won. But interest in love at least better than Shannon Elizabeth Nadia , a student in exchange who is the ostensible hero of the film ( Jason Biggs ) seems to consider a little more than a living explosive doll; Her decision to secretly film their sexual encounter and spread her to her classmates on the Internet is treated more as a wacky opportunity to display Jim's sexual inexperience than as reasons for An accusation of sexual assault for crime . The endless end (without puns) does not do much to dispel the idea that boys were missed to assess sexual relations on intimacy, since the deflorated of a student by an adult woman is treated as a moment of triumph.

A pretty woman was not the only Rom-Com in the 90s about a sex worker, and it is certainly far from the most scary. This honor goes to 1994 Milk silver , about a young boy and his friends who pool their money to go to the city and pay a woman named V ( Melanie Griffith ) to teach them sex. This fact that she does it, and that her flashing is played for laughter rather than disturbing and illegal, is not even the worst thing about the film, which then turns into a darker territory after V followed boys in their idyllic suburbs. While the boy tries to play the contribution between V and his widowed father ( Ed Harris ), it also hides from the mafia boss ( Malcolm McDowell ) who murdered his drug pimps for erupting the top. At the time, not even Pulitzer winner criticism Roger Ebert Could understand who the filmmakers wanted to see this strange mixture of drama, romance, sexual comedy and thriller. Today, its retrograde attitudes with regard to sex workers and its V treatment as a little more than an object to be stated, threatened and / or saved mean that it seems appropriate for people . AE0FCC31AE342FD3A1346EBB1F342FCB

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The intrigue of Krippendorf tribe is so shocking illiterate, it is almost impossible to believe that it was made in the late 90s "politically correct" from the 90s. Richard Dreyfuss Plays a depressed and widowed anthropologist who takes away the entire subsidy which was awarded to him to seek a so-called "lost" tribe in New Guinea. Faced with a calculation at work, he hires his children to put on the blackface and a "native" stereotypical outfit and films a false documentary in which he established a first contact with the "Shelmikedmu" (a portmanteau of the names of his children). Although the film does not go so far as to approve its actions, it has no problem Exchange offensive stereotypes For laughter, suggesting that the "natives" engage in barbaric practices like locking menstruated girls in cages and watering them with pork urine (no, really). He was nicknamed One of the most racist films Never manufactured by complex, but we can take some comfort in the fact that, even in 1998, it was A box office bomb .

This neo-black thriller about a detective from San Francisco Uncontrolled ( Michael Douglas ) In search of a serial killer woman who frees herself from men, then murdering them with a choice of ice was a huge billet stroke Sharon Stone Dispanishing his legs . Even at the time, however, feminists and LGBTQIA + groups The characterization of Catherine Trammel of Stone, whose command of her own sexual power, not to mention her bisexuality, is enough to paint her As a villain - Even before Douglas started to question his motivations. The film seems to do everything possible to connect queer sexuality to deviance and mental illness. As a modern critic noted in the strategic fantasy experience of the Médium blog, "all the female characters who are attracted sexually by other women are also homicidal psychopaths. ""

Kevin Smith's third film, After the Slacker Comedies Clerk and Mistreat , was as progressive for his time that he is terribly dated today. It is a romantic comedy in which Geek Holden is obsessed with comics ( Ben Affleck ) is attracted by an original Amy girl ( Joey Lauren Adams ) Which happens to be lesbian. Their narrow friendship flourishes quickly in romance, but Holden's inability to overcome the fact that Amy is more sexually experienced is the corner that separates them. The film was ahead of his time to lead an ostensibly bisexual character character, but in doing so, perhaps inadvertently seems to suggest that Lesbians only mark time Until they meet the right guy. The public sees above all things through the steep white male view of Holden; Beyond Amy, other marginalized characters are treated as a little more than a reflection after the fact. Far from awareness of queer sexuality awareness, the point of view of the film on gender and sex seems to be evica. An Autostradledle Revisor underlined his " occasional cissexism "In a room in 2022 on the film.

At the exit, the drama based on a True Dangerous minds , in which a former navy Louanne Johnson ( Michelle Pfeiffer ) Takes a job in a sub-financed school in the city center and uses poetry and military discipline to inspire black and brown students to change their lives, was a blow to the box office. But today, it is difficult to forget its stereotypical representation of its urban framework as a home for poverty and violence - or its assertion that, apparently, all these children in difficulty awaited was a white woman to speak difficult to present and put them straight. Twenty years after the release of the film, even the author of the Memoirs on which he was based did not feel well in his story "White Savior" or the many changes he made to her and to the lived experience of his students.

"In my class, the children were uniformly mixed: black, white and Hispanic," the truth Louanne Johnson Told The Guardian In 2015. "In the film, they made all the minority children with a symbolic white child here and there.