The 25 best black movies of each fan of classic movies need to see

These stories of private detectives, women of mother and murder plots resisted the test of time.


Invented by the French film criticism Nino Frank In 1946, the term "Film Noir" refers to a contemporary wave of Hollywood films that shared similar themes and rhythms of history: criminals, detectives of the world , dangerous women and live in crime. While criticism is divided on the film noir constitutes a genre In itself or simply refers to a collection of narrative and cinematographic tropes, its influence extends far beyond classic Hollywood to encompass world cinema and contemporary filmmakers - as evidenced by this list of decades of 25 of the best films of Films with each movie fan should watch. Read the rest to find out more, but keep in mind that some of the trailers below include adult content!

In relation: The 25 best classic films that each film fan needs to see .

The 25 best classical films in the history of cinema

1
Maltese falcon (1941)

It is difficult to locate the very first film Noir, but 1941 Maltese falcon was one of the first major films to embody all the features that would illustrate the genre: a detective blasé in Humphrey Bogart Sam Spade, a dangerous female fatal ( Mary Astor ), a bad swimming ( Peter Lorre ), And a labyrinthian intrigue built around a classic " Macguffin "(In this case, the Statue holder).

2
Double compensation (1944)

With a direction of Billy Wilder and a scenario co-written by Wilder and crime novelist Raymond Chandler , this story of a twisted insurance seller ( Fred MacMurray ) Who teams up with a inclusive tempter ( Barbara Stanwyck ) to have her husband knock and receive the payment would have Standard So that all black films follow.

3
Laura (1944)

Notable for his smart plot and a huge touch in the middle of the film, Laura is one of the most famous films of all the films, telling the story of an ambitious executive of announcements ( Embarrassed ) Assassinate through the contradictory stories of his friends and lovers, as well as by the eyes of the police detective who finds himself falling in love with the dead. He was nominated for five Oscars, including Otto Preminger direction.

4
The big sleep (1946)

The first mystery to associate the future married couple Humphrey Bogart and Lauren Bacall ,, The big sleep is also remarkable for its famous convoluted screenplay, based on the novel by Raymond Chandler. Written by Leigh Brackett (Which would work later on The counterattack empire ),, Jules Butter , and no less August a character than a novelist William Faulkner , he includes an intrigue hole that Not even chandle himself could explain.

5
Gilda (1946)

When he was originally out, this thriller on a small crook who discovers that the woman of her new boss is her former lover has won mixed criticism and was mainly recognized as a way to sell her sexy star, Rita Hayworth . However, in the years that followed, he has been reappropriate for Make Hayworth's female female A much more complex character than dangerous women in many other examples of the form.

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6
The postman still sounds twice (1946)

The third adaptation of James M. Cain novel - which would be adapted several times Over the years, including in 1981 with Jack Nicholson And Jessica Lange - is that of ages. Lana Turner Play Cora Smith, who falls in love with Frank ( John Garfield ), a vagabond that goes through the restaurant belonging to her little -minded husband. Cora and Frank plot to kill the husband so that she can inherit the restaurant, but things, of course, are spectacularly mistaken.

7
The past (1947)

The past Perfectly captures a black basic food: the idea that you can never exceed your bad deeds. Robert Mitchum Stars as owner of the anonymous service station which must count with its past as a private corrupt city eye after being recognized by a criminal passing through the city and brought back into the criminal world. In addition to renting his script and casting, film critic Roger Ebert praised smoked and dark cinematography, calling the film " The biggest cigarette smoker film of all time . ""

8
Foreigners on a train (1951)

Based on the novel by Patricia Highsmith , This Alfred Hitchcock Classic has a killer's configuration - literally: holders' foreigners, the Bruno sadist ( Robert Walker ) And the shy guy ( Farley Granger ) Meet on a train, and BrunoCocoche a plan to exchange: Bruno will kill Guy's cheating wife, and Guy will kill Bruno's father. Guy refuses, but when Bruno tries to make the plan anyway, he must act quickly to avoid being himself involved. It is a classic intrigue of "bad man", and Hitchcock keeps suspense on the right track for the whole trip.

9
Ace in the hole (1951)

Bringing the sensitivity of black to a less criminal framework, this underestimated Billy Wilder GEM focuses on disgrace journalist Chuck Tatum ( Kirk Douglas ), which is impatient to resume its old glory, anyway. When he embarks on a sensational story on a man trapped in a collapsed cave, Tatum diagrams with the man's wife to use it to catapulate in the big leagues. Shot with cynicism on mass media and the appeal of glory, you could call it a black newspaper.

10
The third man (1949)

Joseph Cotten Play Holly Martins, a novelist from American crime who moves to Vienna to take a job with an old friend, only to learn that man died. Martins decides to stay in the country to investigate and ends up falling into a complex case involving stolen drugs, an intelligent crook and a policy of the era of the Cold War. Without spoiling anything, director Carol Reed give Orson Welles The best entry in his career. AE0FCC31AE342FD3A1346EBB1F342FCB

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11
Killer of the kiss (1955)

While in many ways a rather typical black, this story of a downward boxer who is involved in the affairs of his neighbor who is mistreated by his cruel boss is worth it to be caught for at least one reason: c is an early effort to Stanley Kubrick , who was not yet 30 years old when he co-written and directed it. It is credited with Bring naturalism and likelihood in the history of the genre, unlike his demanding and cleverly built work on subsequent films, such as 2001: A Space Odyssey And Wide eyes .

12
Kiss me mortal (1955)

This dark thriller, with a criminal novelist Mickey Spillane Anti-hero P.I. Mike Hammer, finds the Gumshoe to pick up the bad hitchhiker and be involved in a case involving murder, gangsters, a military conspiracy and a mysterious sealed box that everyone wants. Shot with paranoia and nihilism, the film was recognized as a Early example of discomfort in the era of the Cold War , and is a favorite of the director Quentin Tarantino , which drops a reference to it in pulp Fiction in the form of a very sought -after shiny case.

13
They live at night (1948)

Located in the south of the depression era, They live at night tell the story of young lovers condemned Bowie (Farley Granger) and Keechie ( Cathy O'Donnell ) Who falls in love after having escaped prison and deprives a bank. The beginnings of the future Rebellious director Ray Nicholas , the film traces their love on the run and their inevitable fall, because their dreams of a happy life together are crushed, in a black manner, by the weight of their crimes.

14
The asphalt jungle (1950)

John Huston won nominations to the Oscars to direct and co-write this uncompromising criminal drama focused on planning, execution and benefits of a jewelry flight in an unnamed midwestern city, a crossing between an image of robbery and A hardened black. He has everything: N'er'er-wells charismatic, sex, murder, despair, double cross and desserts. Few films are also determined to illustrate the idea that crime does not pay.

15
Sweet smell of success (1957)

Like Billy Wilder Ace in the hole ,, Sweet smell of success is a black satire on the dark side of the media and the corrupt power of influence. Burt Lancaster Plays J.J. Hunsecker, a ruthless newspaper columnist who exercises his words like a cake, and Tony Curtis Play Sidney Falco, a schematized press agent who is ready to introduce himself to Hunsecker in the way he can he attract attention to his customers and himself - even if it means ruining lives (and break the law).

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16
the Samurai (1967)

Pioneer of the new French wave Jean-Pierre Melville directs this cowardly and experimental criminal drama with Alain Delon As a professional killer who finds that he has become the target and the policeman on his case. Detrating with style but chic effortlessly, it retains a real advantage in its exploration of the psyche of a criminal while exchanging on classic black tropes.

17
Up and down (1963)

Adapt a police procedure by an American novelist Ed McBain , Japanese cinema master Akira Kurosawa Play with familiar black themes In his story of the story of a business manager who goes within the framework of a plan to take control of the business for which he works, but faces a test of his morality when a Employee must borrow money to save the life of his children's kidnapped. Spike Lee is actually plan a remake with Denzel Washington .

18
Long goodbye (1973)

Directed by Robert Altman And based on a novel by Raymond Chandler, Long goodbye Provides an elegant and introspective vision of the classic detective genre. Elliott Gould Play like the emblematic Chandler Gumshoe Philip Marlowe - was transferred to Los Angeles from the 1970s - while he tries to help a friend in a pinch and ends up being involved in a nightmare of murder, infidelity and betrayal .

19
Chinese district (1974)

Modernize black for the era of cinema author of the 70s, Polanski novel Stars of the acclaimed masterpiece Jack Nicholson As private members of the 1930s, Jake Gittes. After a woman (an attractive Faye Dunaway ) Hiring to investigate a case of adultery routine, he soon finds himself taken in a network of lies, corruption and murder involving Los Angeles water rights worth millions. Its famous final line perfectly captures the cynical sequence of the genre.

20
Body heat (nineteen eighty one)

A conscious effort to recreate the feeling of a classic Hollywood black while having explained all the sex and violence that these older films had to disguise with inference and innuendo, Body heat plays as an adult and soaked version of the sweat of Double compensation . William Hurt Play a twisted Florida lawyer who falls in love with the woman bombardment ( Kathleen Turner ) one of its customers. He checks a plan for both to assassinate the customer and run away together, but soon discovers that he is in his head.

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21
Blade runner (1982)

A black film by science fiction, Ridley Scott Landmark 1982 Stars Thriller Harrison Ford As Rick Deckard, a private detective who specializes in withdrawal and synthetic humans "of" declarations "(called replicators). Originally a flop at the box office, but was then greeted as One of the most elegant films never done, Blade runner is soaked in black tropes, from cinematography tinged with neon, to the complex morality of the characters (why don't replicators deserve to live free?), To the blasé hero. In the original version, Ford has even provided a narration of voice over guepte Scott hated that And cut it from the cup of its director.

22
Double bodily (1984)

A sordid neo-black on the production of films and murder, Brian de Palma erotic thriller Double bodily Follows a homeless film actor whose claustrophobia ruins his career. He shares his troubles with a man whom he meets in a bar and is offered a place to stay until he is back on foot. The following is a conscious tribute to classic suspense films such as Alfred Hitchcock Rear window And vertigo , imbued with black tropes and with sensuality increased up to 10.

23
Simple Blood (1984)

This early 1984 of Joel And Ethan Coen is a captivating thriller located in a small town in Texas. When a ladle bar owner ( Dan Hedaya ) Hiring a private investigator ( Mr. Emmet WALSH ) to kill his unfaithful wife ( Frances McDormand , in his beginnings in the cinema) and her lover of bartender ( John Getz ), everything that can go wrong, the fact - in occasionally absurdly as well. With its atmospheric cinematography and its tense story, Simple Blood Shows the skills of the Coen Brothers to juggle the suspense and the black humor were with them from the start.

24
Tank dogs (1992)

Quentin Tarantino's beginnings of director redefined the genre of burglaries with his brutal history of a flight of sloppy jewelry and tense consequences among a small group of criminals who suspect an infiltrated cop hides among them. With performance outside competitions Harvey Keitel ,, Tim Roth ,, Michael Madsen , And Steve Buscemi , the film is a masterclass in net dialogue, non -linear narration and suspense.

25
Lost motorway (1997)

This neo-black of the 90s of the director David Lynch stars Bill Pullman As a jazz saxophonist whose life turns into a surrealist nightmare after being accused of the murder of his wife. The first film in Lynch's L.A. trilogy (with Mulholland Drive And Inner Empire to follow), the film presents a mystery, disorienting twists and turns and a remarkable partition which boasts of pieces of David Bowie , Nine Inch Nails, and Lou Reed , among others.


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