Richard Curtis says he regrets these offensive jokes "love in fact"

The writer and director also discussed the lack of diversity in his films.


In the 20 years that followed its release, the overall vacation film Love in fact has become very divisor, and it is a fact that the coins and currency editors on the film will appear online roughly in December. Most criticisms have to do with certain dated jokes, her treatment of female characters and the lack of diversity in the many love stories she presents. In a recent appearance, Love in fact screenwriter and director Richard Curtis approached part of the reaction and expressed his regret for certain offensive jokes. He also commented on the lack of diversity in his films and explained why he wanted him to do things differently.

Read the rest to see what other Curtis - who is also the filmmaker behind Four marriage and a burial ,, Notting Hill , And Bridget Jones Journal - It is to say about his controversial Christmas classic.

In relation: 7 Oscar -winning films that are offensive according to today's standards .

Love in fact has been re -examined over the years.

Martine McCutcheon in
Universal images

Love Actually , which was released in 2003, consists of multiple love stories intertwined between characters in London - or from London - to Christmastime. However, most of the main characters are played by white actors, with notable exceptions Chiwetel Ejiofor , who plays Peter, and Olivia Olsen , who plays Joanna. In addition, all love stories are heterosexual. As indicated by The independent , a scene featuring actors Anne Reid And Frances de la Tour As a lesbian couple has been filmed But not included in the final assembly.

The film was also criticized for several jokes on Martine McCutcheon The weight of the character of Natalie and for having made his so-called "Patelle" his decisive characteristic. In addition, some viewers have also noted that it is men in relationships that display autonomy, and four of the 10 stories concern women who fall for men for whom they work.

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Curtis said that jokes about Natalie's weight are no longer funny.

Richard Curtis at the premiere of
Fred Duval / Shutterstock

The director's daughter, Scarlett Curtis ,, interviewed his father in the recent Times And Sunday Cheltenham literature festival, as reported by the New York Post. During their speech, Curtis gave its advanced reflections on weight jokes Love in fact .

"I remember how shocked I was five years ago when Scarlett said to me:" You can never use the word "big", said Curtis. "Wow, you were right. In my generation, call someone chopped [was funny] - Love in fact , there were jokes about this. These jokes are not funnier. ""

He also said he was "stupid and badly" on diversity.

Hugh Grant in
Universal images

Curtis has also shown remorse for mainly white, heterosexual and cisgenres characters in his films.

"Yes, I would have liked to be ahead of the curve," said the 66 -year -old man. "Because I came from a very delicate school and a bunch of university friends, I think I hung on, to the question of diversity, to the feeling that I would not know how to write these parts." He added: "I think I was just stupid and bad about it."

In relation: 6 'films from the 90s that would never be made today . AE0FCC31AE342FD3A1346EBB1F342FCB

He is aware that his work sometimes feels "obsolete".

Richard Curtis at the 2019 Tribeca Film Festival
Sam Aronov / Shutterstock

In November 2022, Curtis participated in ABC News Special The laughter and the secrets of love in fact: 20 years later With some of the stars of romantic comedy. He said that The film is now "obsolete" to parts, as indicated by Weekly entertainment.

"There are things you would change but, thank God, society changes, so my film is linked, in certain moments, to feel obsolete," he said. "The lack of diversity makes me uncomfortable and a little stupid. You know, I think there are a kind of three plots that have a kind of bosses and people working for them."

THE About time The director continued: "There is such an extraordinary love that happens every minute in many ways [in life], everyone in the world, and makes me want my film to be better. It makes me want me to make a documentary just to observe it. ""

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