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In today's world, most people have a awareness of what they say about cultural sensitivities and politically correct. You would not be a joke on someone's ethnicity, and you would not refer to a person by something other than their favorite pronouns. But have you thought about how your clothes can send an involuntary message? From cultural appropriation to stereotypes of the sexes, fashion has a long history of missing the brand. To better understand this, we have spoken to stylists of the biggest trends in fashion over the years which are offensive according to today's standards. Continue to read for a reminder of what you will never want to wear again.

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"Chic heroine" - Yes, it was actually called that - was the "it" look of models and the creators' fashion industry in the 1990s. In other words, this aesthetic included models "suspended" Search for rails with dark circles before their eyes. He was popularized by the photographer Davide Sorrenti , WHO Died of a drug overdose in 1997.

"Magazine publishers now admit that Glamor The look of the blocked heroine A thoughtful use among young people in industry and also had an attractive power that caused "" "damage The New York Times written at the time.

In fact, even then president Bill Clinton I strongly felt the trend. "You do not need to Glamor addiction To sell clothes, "he said, by The Guardian . "The glorification of heroin is not creative, it is destructive. It is not beautiful; it is ugly. And it is not a question of art; it is a question of life and of death."

And in today's world, which has seen the effects of the opioid crisis, such a look could not be more offensive.

"Tribal" has long been a catch-all word used to describe clothes that have historical motifs in Africa. One of the most notable examples is Kente clothes, in patterned fabrics with gold, red, blue, green and black.

"Its origins date back to the 17th century in the east of the East, now known as the Pays du Ghana," said the Spectrum News Affiliate Bay News 9 . "At the time, this delicate fabric was carried by the royalty of the Ashanti Empire and each woven color has a deep meaning."

But as Elizabeth Kosich , certified image stylist, founder of Elizabeth Kosich style , and founder and creative director at Everyone envelops , Notes, wear such clothes without regard to its roots can be considered as a cultural appropriation.

"The dashiki - traditional shirts of the West African judge type - is often glamorous by the fashion industry," she said. "The tribal patterns can also offend, so if something feels turned off, potentially exploiting or costume, take a pass."

In another example of cultural insensitivity, Kosich points to American cultivation patterns, such as Hawaiian prints, the Eskiemade dress and Native American designs.

"Although these cultures have long been adopted by fashion, stereotypes is cultural and offensive appropriation for all," she said.

Farnam elyasof , fashion expert and CEO and founder of Flexible costumes , underlines how Native American hairstyles have historically made their way in traditional fashion. (Victoria's Secret presented them on the track as recently as 2017 - after having to apologize for The same faux pas in 2012.)

"These caps have an important spiritual and cultural meaning for native communities, and their use by anyone other than Aboriginal people is considered to be deeply disrespectful," explains Elyasof.

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Sally Samuels , chief of design at Savile Row Company , recalls the trend of the 1960s and the 70s of "oriental" fashion.

"The Nehru jackets, the silk dresses and the patterns and patterns of Asian inspiration were fashionable, adopted by fashion icons and the average man in the street," she said. "Instead of being a tribute, this trend has reduced these rich cultures to simple fashion declarations, all under a single offensive banner of" Orientalism "."

A more recent example concerning South Asian cultures is Bindi, which has "a deep cultural and spiritual meaning among the South Asian communities", adds Elyasof. "The use of Bindis by non-south-sitics in the South is a sign of lack of respect for their culture."

If you went to high school in the 90s or early 2000s, you probably remember many male classmates "sag" so that the upper half of their underwear has been chosen.

"Although it may seem like an harmless trend, it started in American prisons where prisoners were not allowed to wear belts, then were transported in a popular way by cultivation of hip-hop," said Samuels. "But take off a layer, and it is clear that it was often used as a pretext for racial profiling and discrimination, promoting racial stereotypes against young men of color."

"Power follows" is a term used to describe men style combinations with hard and shoulder -loaded edges, carried by women in the 80s and 90s.

"A sign of prominence, prestige and influence, the continuation of power defined cultural norms, capitalism and American companies in the 1980s," said Kosich.

"In cinema and television, the power dressing suggested that hard work and a Little feminist ingenuity was enough to propel a woman at the top, "wrote Atlantic , reference Melanie Griffith In A hard worker And Dolly Parton In 9 to 5 . And maybe you talk about images of Hillary Clinton Pantans of famous pants.

And while Atlantic Make that the combination of power "opened the door to more non -sexist modes to enter the dominant current", he also could have insinuated that, to succeed in the workplace, a woman could not dress Also feminine.

Kosich also maintains that, following a world pandemic where almost all American companies were working at home, expecting such a dress code to be considered "your deaf".

Although it became the most trendy in the 1980s, the origins of streetwear camouflage prints may be traced Andy Warhol's "Camouflage" impressions, reported the Columbia Daily Tribune .

"Warhol showed that you could recolorae camouflage In pop colors and make a fun fashion print, more nervous than a floral, " Hamish bowles , global publisher as a whole for Vogue , said to the newspaper. "[Designate] Steven Sprouse I took it, recolor it and use it for fashion clothes. ""

Since then, camouflage prints have been found everywhere, department stores with tracks, with combat -style boots, adding to the trend.

But "camouflage has a very different meaning for those of the army", notes Kosich. "It is not considered a cute trend for those who serve, and carrying camouflage in a stereotypical manner can be considered offensive. Camouflage as a Telegraph of fashion declaration lack of respect to those who defend our freedoms."

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Long before people for the ethical treatment of animals (PETA) were founded in 1980, criticism vocalized their objections to kill animals for fur and leather clothes. But in most cases, they were overshadowed by what was considered to be opulent and elegant. AE0FCC31AE342FD3A1346EBB1F342FCB

"Popular raccoon layers in the 1920s with mink stoles worked by the most glamorous Hollywood stars of the 1950s and 60s, the use of fur reality was not called into question and was part of fashion ", Samuelles sharing.

Kosich adds that leather and feathers are also integrated into this category. "These luxury articles collided with pro-animal and pro-environment sensitivities and can offend in a few seconds," says Kosich. "Rather consider false leather, false fur and false feathers, which can be just as luxurious but without guilt."

Rapid fashion is not necessarily considered offensive according to today's standards, but it gets there.

"Quick fashion involves the production of cheap clothes designed to be worn several times before being thrown once a new hot trend is coming," explains Elyasof. "This business model is not only criticized for its environmental impact, but it has been shown to contribute to the immense exploitation of foreign workers and the blatant violation of their rights."

"" Companies like Shein Continue to have fire from consumers because of their business practices contrary to ethics and unsustainable regarding rapid fashion, "he adds.