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There is no better clue that a film will make a conversation than several minutes of several tiny of certain viewers while othersgo out half-way. This is exactly what happened whenKristen Stewart new movie,Crimes of the future, was screened at the Cannes Film Festival in May. The horror film, from the directorDavid Cronenberg, talks about a future in which humans can no longer feel pain but also to develop new organs, which are used by the main character in his performance art.

The result was so disturbing for some public members that they could not sit on the whole film. Read the rest to find out more about whyCrimes of the future caused debraying and see what Stewart had to say in response.

Read this then:The worst movie of Meryl Streep of all time, according to criticism.

TheOfficial description ofCrimes of the futurereadsLéa Seydoux), SAUL TENSER (Viggo Mortensen), Celebrity Performance Artist, publicly presents the metamorphosis of its organs in avant-garde performance. "Stewart plays Timlin, an investigator of the National Organ Register, who is captivated with Saul.

AmongUncomfortable images The film includes surgeries (some in a sexual context), bloody intestines and an autopsy of a child, as indicated byVariety.AE0FCC31AE342FD3A1346EBB1F342FCB

AccordingVariety andThe independent, somePeople came out From the premiere of Cannes of the film.The independent report thatSome public members left During the first five minutes and others left during a scene in which the character of Seydoux licks an open injury. Meanwhile,Weekly entertainment reported that no one had come out of the first screen, but that15 people left a press screening. Insider also reported on"Several" people leave Press screening.

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Cronenberg predicted thatPeople would come out of his film even before his first.

"There are very strong scenes. I mean, I am sure that we will have debraying in the first five minutes of the film. I am sure," he told Deadline in May. "Some people who saw the film said they thought the last 20 minutes will be very difficult for people, and that there will be a lot of debraying. A guy said he had almost had a panic crisis . And I say, "Well, it would be good. But I am not convinced that it will be a general reaction. I expect Cannes winding up, and it is a very special thing. [Laughs] People Always go out, and the seats slam notoriously when you get up, because the seats fold back and hit the back of the seat. So you hear clack, clack. "

During a press conference for the film,Stewart addressed reports of the public leaving the film.

"Everyone likes to talk about how [Cronenberg] films are difficult to watch and it's fun to talk about people who come out of cane projections," said Stewart, as Insider reported. "But each gaping and strange bruising in his films, it puts my open mouth. You want to rely towards him. And that never rejects me. The way I feel, is through a really visceral desire and C ' is the only reason why we are reluctant. We are bags of pleasure. "

In an interview with Vulture after the first of Cannes,Stewart talked about what she felt About the reaction of the public of Cannes. The film would have received a standing ovation of seven minutes.

"Before the credits got up, he died silent," said Stewart. "I said to myself:" Ooh, people don't know how to feel. They do not know if they should applaud or not. "I felt like it was the [explanive]Will Smith Moment Where was everyone: 'Yes? Nope? No. Okay, actually no! For example, should people look to their left and right to see if people love it before applauding? It's a lot to take at the beginning, I suppose. "She added:" Everyone speaking to go out and how intense it was. I said to myself: "It's not intense! It's really beautiful.'"

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