This is what the film-theater foods looked like in the 1970s

If you had good and a popcorn bath, you were golden.


For most of us, "going to the cinema" does not consist in seeing a movie. It is rather a powerful multi-sensory experience - a powerful experience so powerful, in fact that there is a decent chance the simple suggestion to go to your mind to derive to the thoughts ofPop corn andCandy. That's why the theater ownerssometimes joke, "We are not in cinema cinema. We are in popcorn business and candy."

But if you wonder what previous generations has eaten in the cinema or you just want to make a voice in memory, we have covered you. Here are some classic movie cinema foods from the 70s and yes, popcorn high the list.

Popcorn, always first in our hearts

popcorn bucket
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Just as it is today, Popcorn was a cinema base in the 1970s. It was also the first cinema snack, the one that started in the 1930s. Although film theaters are around Since the turn of the twentieth century, snacks were not part of the early theater experience. At the time, most theater owners were building theaters like great "palace" entertainment designed to compete with the sophistication of European opera and movie snacks.did not seem to adapt to this aesthetic.

But everything has changed when the Great Depression has put pressure on American portfolios, forcing film owners to find new ways to get their audience from the decrease of more money. Although sweets and soda have arrived in movie cinemas shortly after, the rationalization of sugar during the Second World War won the popcorn in the center of the center. At the end of the war, the popcorn and the films were now "inextricably linked", asSmithsonianMET, with more than half of all American popcorn consumed in cinemas. After all, it was certainly easier to get it at the cinema than to populate them at home in these pre-microwave days.

Candy: a back story

assorted candy
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In the 1970s, Candy had made a full return in cinema cinema. But while nowadays, chocolate and sweets are practically synonymous, in the 1970s, Candy cinema Candy was more about sugar than chocolate. Here is a snapshot of what you may have seen during a movie cinema concession during the 1970s.

Good and a lot

good and plenty
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Good and abundance, which has been introduced in 1893 and is the oldest brand candy of the US, was omnipresent in the movie concessions stands in the 1970s. The liquorice bites in the shape of a neat capsule, coated From a pretty pink and white candy shell had long become a classic cinema.

What could be surprising of the popularity of good and abundance as a movie food is the rattle that the candy does in its box, that the manufacturer has been put to use for many years with its"CHOO CHOO CHOO CHARLIE" commercial televisionWith a cartoon locomotive engineer who made is a managed train by shaking his box of good and a lot. This is for a good brand, although we did not want to be the only seat next to a child shaking this box throughout the film.

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Mike and Ike

mike and ike
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Bright and capsule-shaped as good and many, Mike and Ike were developed by a company just born in the 1940s. It was supposed to call candy enthusiasts who were now beginning to prefer fruit aromas to licorice. According to society, Mike and Ike are one of the biggestFlavors of candy without chocolate cinemaAnd people still can not have enough of these fruity treats.

Crows

crows candy

The crows, which are essentially gamons flavored with licorice, are definitely an acquired taste, although they are quite popular in the day. Although they have been around since the late 1800s, when they were called "Mason Black Crows", they became a cinema concession argument beginning in 1972. It is when the crows were Purchased by Tootsie Roll Industries, who brought them to theaters.

Points

dots candy


The points are the rubbery, cone-shaped and fruit-flavored. They were introduced in 1945 as a "fruity spinoff" of crows, with the same flavors as today: cherry, strawberry, lemon, lime and orange. As for crows, points enter cinema theaters only after Tootsie bought the company in 1972. But points, like any cinema program knows, are always here today.

Red vineyards and twizzlers

twizzlers package
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The red vineyards, these fruity strands, gummy red edibles that so many people always team up at the cinema, might seem like a TWizzlers, another movie cinema clip. However, Diehard Vines fans will say they are not the same at all. The red-flavored red flavored vines belonging to the American society of licorice, started production in 1914. Twizzlers, on the other hand, belongs to Hershey, in the flavored cutlery. And were not commercially available before at least 1929. Both found their way in movie cinemas at the beginning of the game.

However, when Neil Armstrong supposedly requested from the Twizzlers on the moon in 1969, he asked the foundations of the Twizzlers to surpass the red vineyards like the red candy at the Red Ropeny-Red Candy in the theaters during the 1970s. Today, today, today, The red vineyards are no partner than Twizzlers, but they always have a faithful sequel.

M & MS

m&ms
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As mentioned earlier, the end of the Second World War ended the rationalization of sugar in times of war, which forces American cinema to become happy to make themselves known with movie treats. But the Second World War and its consequences have another significant impact on the American sweet tooth, and it was the weaving of M & MS in the fabric of America.

Although the M & M were produced commercially in the United States in 1941, they quickly became the official military candy during the Second World War. In fact, all M & M production has been diverted into GIS on active service. When the soldiers came back from the war, not only wanted more than milk chocolate buttons covered with candies that "melt in your mouth, not in your hands," but everyone did. The US post-war condition for M & MPS can be attributed to the fact that the candies were considered the food of American heroes.

M & MS, which have been originally available in cardboard tubes, are first arrived at American theaters in rectangular boxes and have been appreciated by film owners and parents, partly because they could be eaten. Virtually as clean as sweets without chocolate.

The next time you take a box of these candies, know that you respect a centuries-old film tradition of decades.


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